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For the launch of Kellie's new album, "Walk On", Kellie wanted to hit the ground
running. One of the most powerful ways to showcase a song is with a
video. Most artists are lucky to get their   more...label to shoot one video a
year. Since Kellie has her own label, she thought, "Why not shoot 2
videos?" Kellie teamed up with Tom Blomquist, a close friend and
accomplished film and television director who is also a professor in
the film department at California State University Long Beach. Tom
assembled a crew of well-known pros and a group of his most talented
students. Kellie set out to film two of the most emotional songs off
her new album: the title track "Walk On" and "I Would Die For That".

"I Would Die For That" is a song about a women's desire to have a
child. The concept Tom and Kellie developed for the video mirrors
Kellie's own life experience as a working woman and her inner struggle
wanting to have both career and family. The video shows Kellie alone
with her thoughts, the way it was for her on the road while touring
the country in recent years with such artists as Kenny Chesney and
George Strait... the way it was when she was longing for a child and
asking herself the questions, "Have I waited too long?", ''Will it
happen for me?"

The video's director, Tom Blomquist said, "The song is so powerful, the lyrics and
Kellie''s vocal performance are so strong that all we wanted to do was
capture Kellie going through the emotional journey of the song." There
were 3 main locations for the shoot. The first was a backstage makeup
room. Tom recalls this location, "We called it the House of Mirrors
because of the way it was laid out. We were able to shoot from
different angles using different mirrors in order to see Kellie from
the front and back and then have the reflections go off into
infinity." Kellie surrounded the mirror with photos of family and
friends. "Even though I was alone in the entire video, having those
pictures there just reminded me of family and that feeling of longing
to have and be with my family which is really what the song is all
about."

The second location placed Kellie in an empty theater sitting in the
midst of a sea of red theater seats. ''It may be my favorite
location,'' said Kellie. ''It was so simple and yet dramatic and
conveys a sense of loneliness that sometimes you feel on the road.
There are so many times when back stage is so crowded and sitting in
the empty seats of a theater or arena is the only place you can be
alone with your thoughts." Tom agreed, ''It was a lot of work to get
it lit the way we wanted but it probably conveyed the isolation and
personal nature of the song better than any other location that we
could have found."

The final location was a backstage area. Again, Kellie is alone but in
these shots she is walking among the equipment and rigging of the
theatre. This is where the power of her feelings and the climax of the
song are revealed. "I don't know if any of us were sure this was going
to be right until we looked at one of the takes on playback," said
Kellie. "We all just turned to each other and said, Wow!" Tom added,
"Yeah, I think we had changed this location 3 or 4 times during
scouting until the ideal space became available. But once we saw it
on film, we were so glad that we held out for that space." Tom
concluded, "The production team felt strongly that because Kellie song
is so special, settling for locations that were merely average was not
an option."

To bring the point of " Would Die For That" home, friends and family
were asked to send in their own family videos in to be cut into the
final version. "There's nothing more beautiful than seeing a Mother
with her child", Kellie said. And that brings us to the closing shot,
Kellie holding her baby boy. Tom explains, "We had talked about
getting a shot of Kellie with Jackson around sunset. We were in the
middle of another shot when we realized that w  less

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