Clip of Offgrid:Outerzone

TV series trailer for a sci-fi series.

For further Information, Perspectives and Questions visit the Desteni-Website or Desteni-Forum at http://www.desteni.co.za and http://www.desteni.co.za/forum

George Orwell's 1984 Movie Trailer, edited by me.

Influenced by Eric Blair's (also known as George Orwell) book, "1984."

I was bored and was thinking, hmmmmmm 1984 would make a great metallica video... this is the result

For further Information, Perspectives and Questions visit the Desteni-Website or Desteni-Forum at http://www.desteni.co.za and http://www.desteni.co.za/forum

Commentary then Winston getting tortured by O'Brian

a poem by P. Bloodsworth on www.editred.com

Martial Law Alex Jones brings his bulldog style to the 911 issue in a big way. This video covers 911 issues with tons of references, as well as proof of the new police state that it has allowed to take   more...hold.  less

Martial Law Alex Jones brings his bulldog style to the 911 issue in a big way. This video covers 911 issues with tons of references, as well as proof of the new police state that it has allowed to take   more...hold.  less

Orwell Rolls in His Grave - The losing struggle against centralized media control in the US Congress. If 9/11 is such a big lie, why don't more newspapers and television stations 'break the story'? Well,   more...a few do, but not many. Why not? One reason - Despite heroic efforts by many Congressmen and Senators to stop it, it now only requires the decision of a few key people to block stories from 99% of US newspaper and television. Do you know that 6 companies now control virtually all of the media, and that they regularly self-censor political investigations by their own reporters? An eye-opening documentary.  less

Orwell Rolls in His Grave - The losing struggle against centralized media control in the US Congress. If 9/11 is such a big lie, why don't more newspapers and television stations 'break the story'? Well,   more...a few do, but not many. Why not? One reason - Despite heroic efforts by many Congressmen and Senators to stop it, it now only requires the decision of a few key people to block stories from 99% of US newspaper and television. Do you know that 6 companies now control virtually all of the media, and that they regularly self-censor political investigations by their own reporters? An eye-opening documentary.  less

Orwell Rolls in His Grave - The losing struggle against centralized media control in the US Congress. If 9/11 is such a big lie, why don't more newspapers and television stations 'break the story'? Well,   more...a few do, but not many. Why not? One reason - Despite heroic efforts by many Congressmen and Senators to stop it, it now only requires the decision of a few key people to block stories from 99% of US newspaper and television. Do you know that 6 companies now control virtually all of the media, and that they regularly self-censor political investigations by their own reporters? An eye-opening documentary.  less

A clip of my documentary about the European Union "United States of Europe" part 9 of which this is a response to shows how our country now perfectly resembles George Orwells 1984 Big Brother   more...Police State nightmare with a specch by Gordon brown and a brilliant animation about Big Brother Britain

Big Brother animation clip
http://www.bigbrotherstate.com

Gordon Brown New World Order speech
http://video.google.com/videoplay?docid=-6862855453701508360

United States of Europe:The Lisbon Treaty/Constitution P 1/9
http://www.youtube.com/watch?v=tJ3YcI2pe30

United States of Europe:The Lisbon Treaty/Constitution P 2/9
http://www.youtube.com/watch?v=b61pTFjR74Q

United States of Europe:The Lisbon Treaty/Constitution P 3/9
http://www.youtube.com/watch?v=cGH_Y_BWZfs

United States of Europe:The Lisbon Treaty/Constitution P 4/9
http://www.youtube.com/watch?v=TFM4sDfN31I

United States of Europe:The Lisbon Treaty/Constitution P 5/9
http://www.youtube.com/watch?v=XfhaCSjiM9c

United States of Europe:The Lisbon Treaty/Constitution P 6/9
http://www.youtube.com/watch?v=mxGdX4TK9mA

United States of Europe:The Lisbon Treaty/Constitution P 7/9
http://www.youtube.com/watch?v=tfabC5YiaTA

United States of Europe:The Lisbon Treaty/Constitution P 8/9
http://www.youtube.com/watch?v=NSNg_CaHoWQ

United States of Europe:The Lisbon Treaty/Constitution P 9/9
http://www.youtube.com/watch?v=jt6nxeS1k8E  less

for more vids log on at www.ralphbuckley.com

i was studying walk cycle animation and i also was studying "extreme long shot" camera movements so you get a scene like in the 80's movie Brainstorm and people walking, and come to think of   more...it its odd ! Christopher Walken was in that movie. get it? walking/Walken. "Ingsoc" is a reference to Orwell's 1984.  less

Director Robert Kane Pappas’ Orwell Rolls In His Grave is the consummate critical examination of the Fourth Estate, once the bastion of American democracy. Asking whether America has entered an Orwellian   more...world of doublespeak where outright lies can pass for the truth, Pappas explores what the media doesn’t like to talk about: itself.

Meticulously tracing the process by which media has distorted and often dismissed actual news events, Pappas presents a riveting and eloquent mix of media professionals and leading intellectual voices on the media.

Among the cast of characters in Orwell Rolls In His Graveare Charles Lewis, director of the Center for Public Integrity, Vincent Bugliosi, former L.A. prosecutor and legal scholar, film director and author Michael Moore, Rep. Bernie Sanders, Danny Schecter, author and former producer for ABC and CNN, and Tony Benn, former member of the British Parliament.

Orwell Rolls In His Grave provides a vital forum for ideas that will never be heard in mainstream media. From Globalvision’s Danny Schecter: “We falsely think of our country as a democracy when it has evolved into a mediacracy – where a media that is supposed to check political abuse is part of the political abuse.” New York University media professor Mark Crispin Miller says, “These commercial entities now vie with the government for control over our lives. They are not a healthy counterweight to government. Goebbels said that what you want in a media system – he meant the Nazi media system - is to present the ostensible diversity that conceals an actual uniformity.”

From the very size of the media monopolies and how they got that way to who decides what gets on the air and what doesn’t, Orwell Rolls In His Grave moves through a troubling list of questions and news stories that go unanswered and unreported in the mainstream media. Are Americans being given the information a democracy needs to survive or have they been electronically lobotomized? Has the frenzy for media consolidation led to a dangerous irony where in an era of more news sources the majority of the population has actually become less informed?

**This constitutes 'fair use' of copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.**  less

This film is about Room 101 - the room itself, Orwell's influences in creating it (his school days, his time at the BBC, Soviet Russia and communism), the psychology of fear used in Room 101, and its   more...impact on popular culture since its creation.

Orwell based Room 101 in part on his experiences of the BBC and the political vetting that used to go on in its conference room on the first floor. There is also a theory that the headmaster's study, in his old school St Cyprians, was a model for Room 101.

Artist Rachel Whiteread is filmed making a plastercast of the original Room 101, based in Broadcasting House. The room is facing demolition as part of building development.

Contributors to the film include Rachel Whiteread, film director Michael Radford (who directed the 1984 film version of the book), Terry Waite (discussing the power of the interrogation used in Room 101), John Hurt (who starred as Winston in Radford's film), David Taylor (author of an exciting new biography of Orwell), Tony Benn and Margaret Atwood.  less

Fan video originally posted by socratesone

From the CD "Werewolves and Lollipops"

Adapted by Nigel Kneale, produced by Rudolph Cartier
Characters:
Winston Smith: Peter Cushing
O'Brien: Andre Morrell
Julia: Yvonne Mitchell
Syme: Donald Pleasance
Emmanuel Goldstein: Arnold Diamond
Parsons:   more...Campbell Gray
Mrs Parsons: Pamela Grant
Old Man: Thin Prisoner Wilfrid Brambell
Mr Charrington: Leonard Sachs
Big Brother: Roy Oxley
Narrator: Richard Williams

Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position.
The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen.

Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play.

When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.  less

Adapted by Nigel Kneale, produced by Rudolph Cartier
Characters:
Winston Smith: Peter Cushing
O'Brien: Andre Morrell
Julia: Yvonne Mitchell
Syme: Donald Pleasance
Emmanuel Goldstein: Arnold Diamond
Parsons:   more...Campbell Gray
Mrs Parsons: Pamela Grant
Old Man: Thin Prisoner Wilfrid Brambell
Mr Charrington: Leonard Sachs
Big Brother: Roy Oxley
Narrator: Richard Williams

Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position.
The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen.

Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play.

When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.  less

"Propaganda is the deliberate, systematic attempt to shape perceptions, manipulate cognitions, and direct behavior to achieve a response that furthers the desired intent of the propagandist."
  more...

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Why communism does not work:


Communists are no better than all those other totalitarian oppressor in human history; what they call "equality", the promise of equal rights and freedom, only leads to equal misery and serfdom, the abolishment of freedom, the abolishment of dignity, and their "economical reforms", advertised as the road to social welfare and prosperity, increase poverty, ruin the economy, render the chains of serfdom heavier by making the people more dependent, and eventually cause mass starvation and shortages, communism, toward which all socialism tends, is the negation of civilization; a straight road to tyranny and hell!

P.J. Proudhon on Competition (1846)
http://metadave.wordpress.com/2008/02/06/pj-proudhon-on-competition-1846/

P.J. Proudhon on Monopoly (1846)
http://metadave.wordpress.com/2008/02/06/pj-proudhon-on-monopoly-1846/

------------------------------------


Is the EU the new Soviet Union?
http://metadave.wordpress.com/2008/01/01/is-the-eu-the-new-soviet-union/

The Future of Europe
http://metadave.wordpress.com/2008/02/11/the-future-of-europe/

Socialism, Communism, Nazism, Capitalism, and the European Union
http://metadave.wordpress.com/2008/01/16/socialism-communism-nazism-capitalism-and-the-european-union/

Domesticated to be a good Sheep -Part I.
http://metadave.wordpress.com/2008/02/15/domesticated-to-be-a-good-sheep-part-i/  less

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