** NOTE: All clips and videos remain the sole property of the respective copyright holders. No videos are for sale, nor do they imply challenge to ownerships. They are intended strictly for entertainment,   more...educational, and historical purposes, and fall under the "Fair Use" guideline.  less

Nineteen

vietnam,sa saigon........

this is an mv from one of my favorites korean dramas. some call this drama she is nineteen or my 19 year old sister in law. you also can find this drama in mysoju.com

"Listen Mary, the Abbott speaks."
A period of cloistered retreat can change everything.

In all those years since vietnam nothing changed....only the
administration in the White House.
Still an amazing song! Wicked rhythm and sounds. I remember when it
came out! Awesome video and still grippingly   more...horrific.  less

Ryan turned 19 yrs old on Saturday, Dec 20, 2008. Our family celebrated by going out for dinner.
HAPPY BIRTHDAY RYAN!!!!
Check out this site:
http://www.mommaspretties.com/

i disclaim all rights to this video.

Viacom is forcing Google (Don't be evil) to turnover all of our names and the videos we've watched. Imagine the power this will give Viacom. They already have massive amounts. But this gives them power   more...over masses of individuals. All over the world. George Orwell got the date wrong.  less

This is a promo spot for the short-lived Fox newsmagazine Front Page. This particular episode was a reunion of all the jurors on the Menendez murder trial from back in 1989. Ironically, this promo aired   more...during the Fox Night at the Movies presentation of Honor Thy Father and Mother: The True Story of the Menendez Murders. All copyrights acknowledged. This video remains the sole property of Twentieth Century Fox.  less

Promo for The X-Files on Fox in 1994. Creepy, isn't it? All copyrights acknowledged. This video remains the sole property of Twentieth Century Fox.

One man's remorse is another man's reminiscence.

George Orwell's 1984 Movie Trailer, edited by me.

Episode nineteen of the Sergeant Freedom Campaign. This time, it's George Bush's fault. Sarge gets on people who blame the President for all our troubles. See more of him and other great military videos   more...at: http://www.mymilitaryvids.net  less

This is a fan video based on Claire Bennet from the tv show Heroes.
This song and video represent many different aspects of Clair This is a fan video based on Claire Bennet from the tv show Heroes.
This   more...song and video represent many different aspects of Claire's life. It shows the strained relationship between
Claire and her adoptive Father Noah, the distant and relatively unknown relationship between Claire and her biological Father Nathan, and her need for a person in her life who is "like her", which has been found in her Uncle Peter.

Episodes used range from 1-19 and the song is What Have You Done by Within Temptation.

All video clips property of NBC
Music is property of Within Temptation and Roadrunner Records  less

Vid for the song from Death By Sexy

Nineteen Eighty-Four - BBC 1954 with Peter Cushing and Donald Pleasance (6 of 11)
Adapted by Nigel Kneale, produced by Rudolph Cartier
Characters:
Winston Smith: Peter more... Cushing
O'Brien: Andre   more...Morrell
Julia: Yvonne Mitchell
Syme: Donald Pleasance
Emmanuel Goldstein: Arnold Diamond
Parsons: Campbell Gray
Mrs Parsons: Pamela Grant
Old Man: Thin Prisoner Wilfrid Brambell
Mr Charrington: Leonard Sachs
Big Brother: Roy Oxley
Narrator: Richard Williams

Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position.
The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen.

Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play.

When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.
  less

Adapted by Nigel Kneale, produced by Rudolph Cartier
Characters:
Winston Smith: Peter Cushing
O'Brien: Andre Morrell
Julia: Yvonne Mitchell
Syme: Donald Pleasance
Emmanuel Goldstein: Arnold Diamond
Parsons:   more...Campbell Gray
Mrs Parsons: Pamela Grant
Old Man: Thin Prisoner Wilfrid Brambell
Mr Charrington: Leonard Sachs
Big Brother: Roy Oxley
Narrator: Richard Williams

Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position.
The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen.

Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play.

When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.  less

Adapted by Nigel Kneale, produced by Rudolph Cartier
Characters:
Winston Smith: Peter Cushing
O'Brien: Andre Morrell
Julia: Yvonne Mitchell
Syme: Donald Pleasance
Emmanuel Goldstein: Arnold Diamond
Parsons:   more...Campbell Gray
Mrs Parsons: Pamela Grant
Old Man: Thin Prisoner Wilfrid Brambell
Mr Charrington: Leonard Sachs
Big Brother: Roy Oxley
Narrator: Richard Williams

Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position.
The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen.

Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play.

When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.  less

Adapted by Nigel Kneale, produced by Rudolph Cartier
Characters:
Winston Smith: Peter Cushing
O'Brien: Andre Morrell
Julia: Yvonne Mitchell
Syme: Donald Pleasance
Emmanuel Goldstein: Arnold Diamond
Parsons:   more...Campbell Gray
Mrs Parsons: Pamela Grant
Old Man: Thin Prisoner Wilfrid Brambell
Mr Charrington: Leonard Sachs
Big Brother: Roy Oxley
Narrator: Richard Williams

Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position.
The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen.

Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play.

When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.  less

Adapted by Nigel Kneale, produced by Rudolph Cartier
Characters:
Winston Smith: Peter Cushing
O'Brien: Andre Morrell
Julia: Yvonne Mitchell
Syme: Donald Pleasance
Emmanuel Goldstein: Arnold Diamond
Parsons:   more...Campbell Gray
Mrs Parsons: Pamela Grant
Old Man: Thin Prisoner Wilfrid Brambell
Mr Charrington: Leonard Sachs
Big Brother: Roy Oxley
Narrator: Richard Williams

Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position.
The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen.

Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play.

When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.  less

Adapted by Nigel Kneale, produced by Rudolph Cartier
Characters:
Winston Smith: Peter Cushing
O'Brien: Andre Morrell
Julia: Yvonne Mitchell
Syme: Donald Pleasance
Emmanuel Goldstein: Arnold Diamond
Parsons:   more...Campbell Gray
Mrs Parsons: Pamela Grant
Old Man: Thin Prisoner Wilfrid Brambell
Mr Charrington: Leonard Sachs
Big Brother: Roy Oxley
Narrator: Richard Williams

Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position.
The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen.

Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play.

When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.  less

Adapted by Nigel Kneale, produced by Rudolph Cartier
Characters:
Winston Smith: Peter Cushing
O'Brien: Andre Morrell
Julia: Yvonne Mitchell
Syme: Donald Pleasance
Emmanuel Goldstein: Arnold Diamond
Parsons:   more...Campbell Gray
Mrs Parsons: Pamela Grant
Old Man: Thin Prisoner Wilfrid Brambell
Mr Charrington: Leonard Sachs
Big Brother: Roy Oxley
Narrator: Richard Williams

Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position.
The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen.

Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play.

When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.  less

Adapted by Nigel Kneale, produced by Rudolph Cartier
Characters:
Winston Smith: Peter Cushing
O'Brien: Andre Morrell
Julia: Yvonne Mitchell
Syme: Donald Pleasance
Emmanuel Goldstein: Arnold Diamond
Parsons:   more...Campbell Gray
Mrs Parsons: Pamela Grant
Old Man: Thin Prisoner Wilfrid Brambell
Mr Charrington: Leonard Sachs
Big Brother: Roy Oxley
Narrator: Richard Williams

Nineteen Eighty-Four was a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in the winter of 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position.
The play provoked something of an upset. There were complaints both about the "horrific" content (particularly the infamous Room 101 scene where Smith is threatened with torture by rats) and the "subversive" nature of the play. Most were worried by the depiction of a totalitarian governmental regime controlling the population's freedom of thought, and four Members of Parliament from the governing Conservative Party tabled motions in the House of Commons for the scheduled Thursday second performance to be cancelled. There was also a report in the Daily Express newspaper of 42-year-old Beryl Merfin of Herne Bay collapsing and dying as she watched the production, under the headline "Wife dies as she watches", allegedly from the shock of what she had seen.

Amidst objections the BBC went ahead with the performance, although the decision went to the heights of the Board of Governors, which narrowly voted in favour of the second performance. This was even introduced live on camera by Head of Drama Michael Barry himself, who had already appeared on the Monday's edition of the topical news programme Panorama to defend the production. The seven million viewers who did tune in for the Thursday performance constituted the largest television audience in the UK since the Coronation the previous year, and even the Queen and Prince Philip made it known publicly that they had watched and enjoyed the play.

When it had become clear what an important production Nineteen Eighty-Four was, it was arranged for the second performance to be telerecorded onto 35mm film the first performance having simply disappeared off into the ether, as it was shown live, seen only by those who were watching on the Sunday evening. At this stage, Videotape recording was still at the development stage and television images could only be preserved on film by using a special recording apparatus (known as "telerecording" in the UK and "kinescoping" in the USA), but was only used sparingly, then in Britain for historic preservation reasons and not for pre-recording. It is thus the second performance that survives in the archives, one of the earliest surviving British television dramas.  less