DVLH Luke Hadley

DVLH Luke Hadley 2

DVLH Luke Hadley Hurricanrana
The correct name for this maneuver is the huracanrana or huracarrana (the name was taken from Mexican luchador Huracán Ramírez), but it is commonly misspelled in   more...English as hurricanrana. This is a Frankensteiner headscissors takedown that ends in a rana pinning hold.[7] (A rana is any double-leg cradle.) A high velocity version of the huracarrana, popularized by Japanese wrestler Dragon Kid, is known as the Ultra Rana. A third version, which sees the attacker perform a full front flip (usually following a springboard) before executing the huracarrana, is known as the Dragon Rana.

Headscissors takedown
The move is performed with the wrestler's legs scissored around the opponent's head, dragging the opponent into a forced somersault as the wrestler falls to the mat.[4]


[edit] Frankensteiner
This move is commonly referred to as a hurricanrana although it is technically slightly different. The move is described as a headscissors takedown that is performed against a running opponent. The wrestler jumps on the shoulders of the charging opponent and performs a backflip, using his momentum to throw the opponent over him and on to their back.[5]

It was named the "Frankensteiner" by Scott Steiner, who used it as a finishing move.[6] The move also has a variation where the opponent is sitting on the top rope, that variation is also referred to as frankensteiner. Another variation of the Frankensteiner sees a grounded wrestler first "kip-up" on to a standing opponent's shoulders, this is where a wrestler roll onto the back of his/her shoulders bringing his/her legs up and kicking forward to build momentum to lift themselves off the floor and on to the standing opponent.


[edit] Reverse frankensteiner
Also known as an inverted frankensteiner or a poison rana, this move is similar to a standard Frankensteiner but instead of performing the move facing the opponents face it is done facing the back of the opponent.  less

"Surprise! You're dead!"

DVLH Luke Hadley

DVLH Wrestling sampler Luke Hadley http://www.lukehadley.com for full DVD

Luke Hadley

Jackass (A day with DVLH). Luke Hadley

Death Vs. Luke Hadley volume 1 ... Backyard wrestling is a loose term more...used to describe Classic Luke Hadley DVLH Wrestling DVD (see the 1st 8 minutes here for free). Backyard wrestling is a more...loose   more...term used to describe the controversial practice of professional wrestling as performed by untrained fans in an unsanctioned, non-professional environment. Backyard wrestling is a title applied to home filmed and produced professional wrestling shows, videos, or events carried out by untrained athletes, mostly comprised of American males between the ages of 16 and 30. In the years since its formation, Backyard wrestling has developed into an underground scene, where federations often produce, trade and distribute their videos via Internet, and other wrestling publications. Though backyard wrestling was not unheard of prior to the 1990s, the modern backyard wrestling "craze" lasted from roughly 1996 to 2001, during a time when televised professional wrestling was enjoying a period of unparalleled popularity Hardcore phase
Backyard wrestling became infamous for its out-of-control and unregulated dangerous stunts. Many people, most commonly male teenagers, frequently risked their lives in attempted dives, jumps, falls, and bumps. Many others would use sharp and harmful weapons, performing matches with flaming tables, barbed wire, lighttubes, thumbtacks and sharp metal tools such as cheese graters. While these violent practices carry a more extensive legacy in Japanese wrestling promotions such as Frontier Martial Arts Wrestling, many attribute their stateside popularity to the rise of Extreme Championship Wrestling and wrestlers like New Jack, Tommy Dreamer, and the Sandman.

These activities, which were also closely linked to the reckless nature of other teen-centered shows such as Jackass, were part of the "hardcore" phase of American professional wrestling, ushered in by the extreme style of promotions such as ECW, Xtreme Pro Wrestling, and Combat Zone Wrestling. However, when these promotions closed and/or toned down their extreme nature, backyard wrestling followed suit, leading to less dangerous activity. Because of this, the heavy bleeding and use of dangerous weaponry in backyard wrestling has now faded from popularity.

The "backyard wrestling craze," as it was, began to slow down between 1999 and 2000 . Increased media attention[4] and reforms within the professional wrestling promotions themselves led to a generally unpopular view of wrestling and unprofessional stunts, leading to a decline in the popularity of backyard wrestling. More professional wrestling schools and small independent wrestling promotions formed at this time as well, accepting particularly skilled backyard wrestlers.

As a result, more of the younger independent wrestlers admit to having backyard wrestling experience, some claiming it is a hobby that they pursue while performing professionally. This does not reflect the majority of professional wrestlers, however, as backyard wrestling is often drastically different from that shown on television. However, Foley himself discourages the practice of backyard wrestling. While he made a career by distributing a video of himself doing dangerous stunts such as jumping off a rooftop onto a mattress, he downplays what he did and says it is too dangerous. In his book Foley Is Good, Mick Foley recalls an instance where he was interviewed for a television piece about the growing trend for backyard wrestling. He claims that comments he made having viewed footage of a legitimate professional hardcore match were deliberately misrepresented and applied by the production company to a backyard vignette.

Some professional wrestlers and most, if not all, professional wrestling promotions discourage backyard wrestling in public comments, because it involves legal risk to the promotions in the form of lawsuits by individuals.  less

I'm Luke Hadley and I just edited Beetlejuice's new DVD...Lester Green (born June 2, 1968), known as Beetlejuice (often abbreviated to Beetle or Beet), is a frequent guest on The Howard Stern Show and   more...a member of Stern's Wack Pack. He has appeared in feature films as well as performed voice-over work.[1] Beetlejuice has performed with various Howard Stern Show related comedians, including those that perform under The Killers of Comedy Tour banner.[Personal life
Beetlejuice was born in Jersey City, New Jersey. He is a dwarf, standing 4 ft 3 in (1.3 m) tall.[3] Beetlejuice also suffers from microcephaly, which gives him his characteristic small head relative to his already small body.[4]

On the October 2, 2007 broadcast of The Howard Stern Show, Jerry O'Connell revealed that he knew Lester while he was growing up. O'Connell's mother was Beetle's special-ed teacher, and Beetle was such a good student that he did special work as O'Connell's mom's "assistant."[5]

[edit] Music career
Also known as "The Beetlejuice Song", "This Is Beetle" is sung by Howard Stern Wack Pack member Beetlejuice for the The Howard Stern Show in late 2004.[6] The song was recorded by Stern show producer Richard Christy, who then wrote music to accompany Beetle's raw vocals and engineered it into the full song.[7] The key lyrics to the song are "This is Beetle, he's bad as can and he knows he's the best."[8] The song, which Beetle created spontaneously in the recording studio, has been covered by the rock group Staind[9], who included the song on special editions of their album Chapter V. On September 19, 2005, Blues Traveler played their version of "This Is Beetle" on the Howard Stern Show.  less

http://www.lukehadley.com DVLH Tech N9ne

Luke Hadley tears it up in the backyard. This is a music video from 1997 featuring Marilyn Manson's "Beautiful people" Many of those who practice it embrace a style that emphasizes risky high   more...spots (which can involve diving or taking bumps from rooftops or ladders) and the liberal use of weapons in matches. These may include thumbtacks, barbed wire, tables, plywood, fire, glass, and fluorescent lamps. Even among participants who shy away from this, there still is a considerable level of inherent risk involved. Many professional wrestling holds require extensive training to perform correctly and safely, which few backyard wrestlers have received. These and other concerns are at the heart of the controversy surrounding the practice. Backyard wrestling is so-called because it is often literally performed in yards, though most any location can host a backyard wrestling match, including parks, garages, playgrounds, vacant lots, warehouses, barns, and school gyms. It is common for backyard professional wrestling promotions, or "feds," to construct their own homemade wrestling rings. Wrestling on trampolines is also common, which allows for visually impressive moves to be performed with a minimal risk of injury. Others opt to simply perform matches on the bare ground which, in most cases, is more dangerous than performing in home-made rings. Backyard wrestling promotions can be highly organized, and many tape their shows and maintain websites where media is available for download. The internet proved instrumental in popularizing backyard wrestling during its initial boom period.


[edit] Relationship to Pro Wrestling
Backyard wrestling is modeled almost entirely after professional wrestling, and many backyarders are dedicated fans of the sport. Backyard matches are usually "worked" in the same way professional matches are, with finishes booked in advance and participants going over high spots beforehand. Like in professional wrestling, backyard wrestlers can be seen communicating with each other during bouts. However, while hardcore wrestling matches are often criticized for lack of direction, the same may be said for much of backyard wrestling, especially considering the aforementioned lack of training. This can result in poor communication and, thus, a high risk of injury.

Backyard wrestlers often create story lines and gimmicks in their wrestling events, creating persona and styles of their own. These characters are usually modeled closely after inspirations in their favorite professional wrestling promotions. Connoisseurs to the sport often criticize backyard wrestling as more sloppy and not as well thought-out as professional wrestling, especially because of the tendency of backyard wrestlers to use more absurd gimmicks and story lines. Creativity and organization are also important issues in creating successful wrestling events, of which the majority of backyard wrestling inherently lacks.


[edit] History
In its history, backyard wrestling has changed significantly in terms of its professionalism, safety provisions, popularity, and hardcore style. Backyard wrestling tends to follow the trends of professional wrestling and changes in accordance with what are the fads and trends in the major promotions such as World Wrestling Entertainment or Total Nonstop Action Wrestling.

Although backyard wrestling has been often associated with a Mick Foley home video in which Foley jumps off the roof of a house onto his opponent who is lying on a pile of mattresses, backyard wrestling most likely began in the 1950s emulating such stars as Gorgeous George, and later Bruno Sammartino, and Superstar Billy Graham[citation needed]. The earliest listed "official" backyarder is Shawn "Crusher" Crossen who wrestled from March 1984 until early 1990 in his own promotion known as NWF Kids Pro Wrestling.[1]Twin Cities based promoter and trainer Eddie Sharkey actually co-promoted a sold-out wrestling event that featured matches from both P  less

http://www.lukehadley.com for full DVD Jason Polecheck brutalizes Luke Hadley in this classic DVLH Backyard Wrestling video.

Death Vs. Luke Hadley volume 1 Classic Luke Hadley DVLH Wrestling DVD http://www.lukehadley.com for full DVD ... Backyard wrestling is a loose term used to describe Classic Luke Hadley DVLH Wrestling   more...DVD (see the 1st 8 minutes here for free). Backyard wrestling is a loose term used to describe the controversial practice of professional wrestling as performed by untrained fans in an unsanctioned, non-professional environment. Backyard wrestling is a title applied to home filmed and produced professional wrestling shows, videos, or events carried out by untrained athletes, mostly comprised of American males between the ages of 16 and 30. In the years since its formation, Backyard wrestling has developed into an underground scene, where federations often produce, trade and distribute their videos via Internet, and other wrestling publications. Though backyard wrestling was not unheard of prior to the 1990s, the modern backyard wrestling "craze" lasted from roughly 1996 to 2001, during a time when televised professional wrestling was enjoying a period of unparalleled popularity Hardcore phase
Backyard wrestling became infamous for its out-of-control and unregulated dangerous stunts. Many people, most commonly male teenagers, frequently risked their lives in attempted dives, jumps, falls, and bumps. Many others would use sharp and harmful weapons, performing matches with flaming tables, barbed wire, lighttubes, thumbtacks and sharp metal tools such as cheese graters. While these violent practices carry a more extensive legacy in Japanese wrestling promotions such as Frontier Martial Arts Wrestling, many attribute their stateside popularity to the rise of Extreme Championship Wrestling and wrestlers like New Jack, Tommy Dreamer, and the Sandman.

These activities, which were also closely linked to the reckless nature of other teen-centered shows such as Jackass, were part of the "hardcore" phase of American professional wrestling, ushered in by the extreme style of promotions such as ECW, Xtreme Pro Wrestling, and Combat Zone Wrestling. However, when these promotions closed and/or toned down their extreme nature, backyard wrestling followed suit, leading to less dangerous activity. Because of this, the heavy bleeding and use of dangerous weaponry in backyard wrestling has now faded from popularity.

The "backyard wrestling craze," as it was, began to slow down between 1999 and 2000 . Increased media attention[4] and reforms within the professional wrestling promotions themselves led to a generally unpopular view of wrestling and unprofessional stunts, leading to a decline in the popularity of backyard wrestling. More professional wrestling schools and small independent wrestling promotions formed at this time as well, accepting particularly skilled backyard wrestlers.

As a result, more of the younger independent wrestlers admit to having backyard wrestling experience, some claiming it is a hobby that they pursue while performing professionally. This does not reflect the majority of professional wrestlers, however, as backyard wrestling is often drastically different from that shown on television. However, Foley himself discourages the practice of backyard wrestling. While he made a career by distributing a video of himself doing dangerous stunts such as jumping off a rooftop onto a mattress, he downplays what he did and says it is too dangerous. In his book Foley Is Good, Mick Foley recalls an instance where he was interviewed for a television piece about the growing trend for backyard wrestling. He claims that comments he made having viewed footage of a legitimate professional hardcore match were deliberately misrepresented and applied by the production company to a backyard vignette.

Some professional wrestlers and most, if not all, professional wrestling promotions discourage backyard wrestling in public comments, because it involves legal risk to the promotions in the form of lawsuits by individuals. Several lawsuits  less

Burning man at the 2004 Gathering of the Juggalos

Insane Clown Posse (commonly known as ICP) is an American hip hop duo originally from Wayne, Michigan but formed in the neighborhood of Delray. ICP consists of Violent J (Joseph Bruce) and Shaggy 2 Dope   more...(Joseph Utsler). The duo was originally part of a larger group known as Inner City Posse, which broke up in 1992. The duo has earned one platinum album and four gold albums.[1] They also have starred in their own feature film and formed their own wrestling federation JCW, Juggalo Championship Wrestling (formerly Juggalo Championshit Wrestling). ICP has dedicated followers, known as Juggalos and/or Juggalettes. The Bizaar/Bizzar era (2000 - 2001)
In 2000, ICP was disappointed by the way Island Records had been promoting them and didn't want the label to release the final Joker's Card. Since they still had two more records left to release to fulfill their contract with Island, they released Bizaar and Bizzar, as separate albums.[citation needed] Both albums were released on the same day, selling over 250,000 each, totaling over 500,000.[citation needed] ICP claims they won the bet with Osbourne, but there is disagreement as to whether Bizaar counts as one release or half of the originally planned release.[citation needed] Violent J also said on a later appearance on Howard Stern that The Wraith: Shangri-La was the album the bet was about.[citation needed] Shangri-La sold less than both Bizzar and Bizaar.[citation needed] Also, ICP was in fact dropped from their distributor after the release of the Bizaar/Bizzar albums. Violent J claimed that they had forgotten to renew the contract.[citation needed] Regardless, ICP claims to have won the bet and has asked Osbourne to make a donation to charity to honor the bet. Osbourne has not responded.[citation needed]

ICP also clashed with MTV over the release of their videos for "Lets Go All the Way," a cover song from the band Sly Fox, and "Tilt - A - Whirl." MTV agreed to show the videos but broadcast them late at night. Eventually, ICP requested that every Juggalo/Juggalette vote for the video "Lets Go All the Way" on MTV's Daily Top Ten show, TRL.[citation needed] Despite a large number of votes in favor of the video, MTV refused to play it.[citation needed] Although never played on TRL, the "Let's Go All the Way" video continued to be played on MTV late at night or early in the morning.[citation needed]

ICP released an EP with Chaos! comics entitled The Pendulum. The EP was originally released as a dozen singles in the ICP comic series from the same company but was later re-release as a EP with the graphic novel version of the comic series.

Further chaos had occurred in the spring of 2001 in Omaha, Nebraska when their road manager William B. Dail was arrested for allegedly choking a man who waved an Eminem T-shirt in front of the band. He was charged for misdemeanor assault and battery and released on $1,000 bond and was soon after fined $100 after he plead guilty to a lesser charge. Later on that very same year, the group released their second compilation album, titled Forgotten Freshness Volume 3.  less

Zach V performs live...while a crazy drunk dude dances. Surreal. DVLH
http://www.lukehadley.com

DVLH Luke Hadley video...The real Grave video...Many types of matches, sometimes called "concept" or "gimmick matches" in the jargon of the business, can be found in the performance   more...art that is professional wrestling. Some of them are especially crowd pleasing and occur relatively frequently, while others are developed so as to advance a storyline, and thus, such match types are used rarely. Specific match types in professional wrestling are often notable due to either their frequent use, logistics of setup, or a memorable instances of such a match. Often, speciality matches are used as a finale to a popular or infamous storyline. Because professional wrestling's existence has spanned over one hundred years, and many things in it have been recycled, many gimmick match types are actually variations of previous gimmick matches, match types can be organized in to several loose groups. The following is a list of common or otherwise notable match types. A Falls Count Anywhere match is a match where decisions -- pinfalls or submission -- can take place in any location, negating the standard rule that they must take place inside the ring and between the ropes. As such, this also eliminates the usual "countout" rule. It should be noted that, as the match may take place in various parts of the arena,[5] the "Falls Count Anywhere" provision is almost always accompanied with a "No Disqualification" stipulation to make the match a hardcore match, so as to allow wrestlers the convenience to use any objects they may find wherever they wrestle. A variation of the rules state that once a pinfall takes place, the pinned wrestler must return to the ring within a specific amount of time -- usually a count of 10 or 30 by a referee -- or else lose. If the pinned wrestler makes it to the ring in this time, the match continues. Under these rules, all pinfalls must take place outside of the ring, technically making the match no longer falls count anywhere. Occasionally, this stipulation is listed as having a specific territory in which falls count. Examples have included "anywhere in the building", "anywhere in Chicago", and "anywhere on the Gulf Coast".  less

DVLH http://www.lukehadley.com The Riddlebox is the third studio album by American hip hop group Insane Clown Posse, released on October 10, 1995 by Jive Records. It is the third Joker's Card entry in   more...the group's Dark Carnival saga. The eponymous Riddlebox is a jack-in-the-box that decides whether your soul is sent to Shangri-La or Hell's Pit in the afterlife. The album's themes mostly revolve around those of death; in "12", Insane Clown Posse rapper Violent J takes revenge and kills 12 juror members who were involved in sentencing him to death. There are four different versions of the album: the standard pressing, a version containing a bonus track of snippets from four (h?d) p.e. songs, a version with reversed colors on the disc and a remastered version. The Riddlebox was the second Insane Clown Posse album to be certified Gold. The album spawned one single, "The Joker's Wild".

The album contains 16 studio tracks. "Chicken Huntin'", which was remixed for The Riddlebox, was previously released on Insane Clown Posse's 1994 album The Ringmaster. "Dead Body Man" was also previously released in 1994, on the group's second EP The Terror Wheel, in a slightly lower key.

The album makes several references to American popular culture. "The Joker's Wild" is based on the quiz show of the same name, though Insane Clown Posse's rendition is set in Hell and is used as a means to punish the wicked rather than reward people. "Ol' Evil Eye" is loosely based around Edgar Allan Poe's famous short story The Tell-Tale Heart, and features excerpts from the story being read. The Great Milenko is the fourth of six "Joker's Cards" albums released by the Insane Clown Posse. The Great Milenko is a necromancer and master of illusions, who tempts people into following a path of hedonism and evil for material comforts. Released in 1997, this is perhaps Insane Clown Posse's most popular album; it features some of ICP's most famous tracks, including "Hokus Pokus", "Boogie Woogie Wu", "The Neden Game", "Down With The Clown", and "Hall of Illusions".

The album was recorded at the studios of Hollywood Records, a Disney-owned record label. After recording was completed, a board of Disney representatives threatened to halt the release of the album unless some significant changes were made to its material. Fearing that their major-label debut would never see the light of day, ICP obliged and was forced to remove three whole songs from the album, and alter the content of others, as requested by Disney. However, just hours after the album's initial release, it was unexpectedly pulled from the shelves, ICP's upcoming tour was cancelled, and they were dropped from the record label. It was later revealed that Disney had received much criticism from certain religious organizations, and in fear of tarnishing their reputation, forced Hollywood Records to drop the act.

A media frenzy soon followed, fueled by ICP appearances on MTV expressing outrage over their plight by Hollywood Records. Originally unwilling to nullify ICP's recording contract and relinquish ownership of the album, a deal was eventually reached with Island Records (which ironically was owned at the time by Hollywood's then-distributor PolyGram), who promptly rereleased the album in uncut form. In the end, the controversy turned out to be a blessing in disguise for ICP; the high-profile debacle had created huge public interest in the group and their music. The album went on to become certified platinum. The Calm is an Extended play by Insane Clown Posse that was released on May 17, 2005. This CD is the first after ICP's Jokers Card saga. The title refers to the popular phrase "the calm before the storm". The intro sets up The Tempest, their next CD released on March 20, 2007.

On the cover art, the crop circles make up the letters "ICP" in a logo adopted by the group since the end of the Jokers Cards. Several tracks on the album make references to crop circles, and a year after the release o  less

Insane Clown Posse (commonly known as ICP) is an American rap duo originally from Wayne, Michigan but formed in the neighborhood of Delray. ICP consists of Violent J (Joseph Bruce) and Shaggy 2 Dope (Joseph   more...Utsler). The duo was originally part of a larger group known as Inner City Posse, which broke up in 1992. The duo has earned one platinum album and four gold albums.[1] They also have starred in their own feature film and formed their own wrestling federation JCW, Juggalo Championship Wrestling (formerly Juggalo Championshit Wrestling). ICP has dedicated followers, known as Juggalos and/or Juggalettes. ICP began in the late 1980s, when a small group of rappers known as the Inner City Posse were performing locally in Detroit. In 1990 Joseph Bruce ("Violent J") released Intelligence and Violence along with D-Lyrical. Then he, along with his long time friend, Joseph Ustler ("Shaggy 2 Dope") released "Bass-ment Cuts" in 1991.

The first release that gained them local attention was Dog Beats in 1991. This album led to the beginning of a long lasting and fulfilling relationship with their manager, Alex Abbiss. After gaining a certain level of experience in music, the group decided they wanted to move in a different direction. Then one night in late 1991 Violent J had a strange dream "of a clown, a carnival spirit, with six joker cards in his hands". That marked the beginning of the Insane Clown Posse.[citation needed] ICP would release six "Jokers Cards", warning the world of impending doom. Each Joker's Card album insert featured the cryptic message "After All Six Have Risen The End Of Time Will Consume Us All". Soon, ICP began their "Journey of the Dark Carnival" by starting work on the first Joker's Card titled Carnival Of Carnage. This also began their longtime friendship with producer Mike E. Clark, who would produce their music up until 2001 and again in 2006. With the release of The Wraith albums, the Jokers Card era ended. In 2005, the band released an EP entitled The Calm, which was to be the prelude to their next album, The Tempest. The ICP produced the album, which featured a new sound.[6] However, The Calm is widely regarded as Insane Clown Posse's worst album.[citation needed]

In November 2005, ICP released their fourth compilation album, Forgotten Freshness Volume 4. Unlike their other compilation albums, Forgotten Freshness Volume 4 contained several new songs. The album's single, "The People," was made into a music video in 2006. The video features ICP rehearsing the song in their studio, with photos of juggalos and fans flashing on the screen. This marks the first time ICP has made a music video from a non-studio album.

In 2006, Shaggy 2 Dope released his first full-length solo album, Fuck The Fuck Off. It was his first solo work since 1994's Fuck Off EP. Shortly afterwards, Insane Clown Posse released their first remix album, called The Wraith: Remix Albums, which contained remixes of most of the tracks off both "Wraith" albums.

In February 2007, ICP were featured on one of the final episodes of VH1's The White Rapper Show.

On February 23, 2007 ICP released the first single for The Tempest, entitled "I Do This." They also announced that Twiztid would join them on their Tempest World Tour. This was quickly followed by a second track, "Haunted Bumps," and a photo, presumably the cover, which features ICP riding a roller coaster and a new logo composed of Insane Clown Posse written in lightning.

After a long delay, The Tempest was finally released on March 20, 2007. It was met with a mixed response from fans. Despite the mixed response, most fans agreed it was much better than The Calm.[citation needed]

An advertisement inside the album announced that the next EP, Eye of the Storm, would be released at the 2007 Gathering of the Juggalos. The Tempest debuted at number twenty on the U.S. Billboard 200, selling some 33,000 copies in its first week.[1] As of June 2007, it had sold around 70,000 copi  less

Necro explains to Luke Hadley his travel difficulties getting to the 2007 CZW Ultra-violent Tournament of Death. Dylan Keith Summers (born July 13, 1973) is an American professional wrestler best known   more...by his stage name The Necro Butcher. Primarily wrestling for Combat Zone Wrestling in Philadelphia and more recently Ring of Honor as part of The Age of The Fall, Summers has competed for numerous promotions including IWA-Mid South, Jersey All Pro Wrestling, CHIKARA, Pro Wrestling Guerrilla, XCW Wrestling, Juggalo Championship Wrestling. He is well-known for his willingness to participate in a creative and dangerous mix of hardcore matches and deathmatches. He competes alongside Toby Klein regularly in CZW their team name is the Tough Crazy Bastards. Wrestling career
In 1998, Summers made his professional wrestling debut after teaming with Aaron White to take on Victor Pain and Canyon. Summers continued to work small independent shows across Texas. On March 16, 1999, as Necro Butcher, he won his first professional wrestling championship, after defeating Damon Richards to become IHW Hardcore champion. Butcher's popularity continued to dominate Texas wrestling, and at his debut in TCW, he defeated rival Joey Diego to become the company's Hardcore champion. His success in TCW came to a halt after a dispute with its promoter. He lost the Hardcore title to Hellhammer before leaving the company. Butcher continued to build up his reputation as the most violent Death Match wrestler in Texas. On October 10, 1999, Butcher faced "Mad" Man Pondo for the first time. He would face Pondo again in JCW (Juggalo Championshit Wrestling) in a Death Match in 2003. The match can be found on JCW Vol. 3 (November 11, 2003). Another match in JCW included a "Light Tube" match from the 2003 Gathering of the Juggalos where he squared off against "Hollywood" Chuck Hogan ("Death Dealer" Tommy Starr in a Hogan-like zombie mask). Combat Zone Wrestling
His success in IWA-MS lead him to become a name attraction for hardcore oriented indy promotions in North America. For Combat Zone Wrestling, Butcher worked a program with Wifebeater, losing to him in the first Tournament of Death in 2002. Butcher returned the following year and was eliminated in round two by Ian Rotten. He reached the final at the 3rd annual Tournament of Death before finally winning Tournament of Death 4 by defeating John Zandig and Nick Gage.[6][7] This victory made him the only person ever to win both the King of the Deathmatch and Tournament of Death. After this, he feuded with Nick Gage, John Zandig, and Justice Pain and fought them in a losing effort in the Cage of Death match.[7] He briefly held the Ultraviolent Underground Championship when the current champion Zandig presented him with the belt at Tournament of Death IV: Butcher had eliminated Zandig from the tournament. Butcher and "Mr Insanity" Toby Klein teamed as "The Tough Crazy Bastards" to win the CZW tag belts from The H8 Club, Nick Gage and Justice Pain. They subsequently dropped them to The Kings of Wrestling, Chris Hero and Claudio Castagnoli  less

Luke Hadley - Scarred DVLH Hardcore wrestling is a form of professional wrestling that eschews traditional concepts of match rules in favor of matches that take place in unusual environments, using foreign   more...objects that are not normally permitted.[1] Although hardcore wrestling is a staple among some wrestling promotions, where they are used at the climaxes of feuds, some promotions (such as Big Japan Pro Wrestling and Combat Zone Wrestling) specialized in hardcore wrestling, with many matches performed in this manner.

Hardcore wrestling became acknowledged as a major wrestling style first in Japan with promotions such as FMW and W*ING. It then became successful in America with Extreme Championship Wrestling. The World Wrestling Federation capitalizing on the success and introduced the WWF Hardcore Championship. The WWF soon began to turn the matches into comedy skits, illustrating the ridiculousness they involved. Hardcore is in sound contrast to traditional mat-based wrestling, where solid technical skills are preferred over stuntwork, blood, and sheer shock value.  less

A stunt is an unusual and difficult physical feat, or any act requiring a special skill, performed for artistic purposes in TV, theatre or cinema. more... Stunts are a big part of many action movies.   more...Hardcore wrestling is a form of professional wrestling that eschews traditional concepts of match rules in favor of matches that take place in unusual environments, using foreign objects that are not normally permitted.[1] Although hardcore wrestling is a staple among some wrestling promotions, where they are used at the climaxes of feuds, some promotions (such as Big Japan Pro Wrestling and Combat Zone Wrestling) specialized in hardcore wrestling, with many matches performed in this manner.

Hardcore wrestling became acknowledged as a major wrestling style first in Japan with promotions such as FMW and W*ING. It then became successful in America with Extreme Championship Wrestling. The World Wrestling Federation capitalizing on the success and introduced the WWF Hardcore Championship. The WWF soon began to turn the matches into comedy skits, illustrating the ridiculousness they involved. Hardcore is in sound contrast to traditional mat-based wrestling, where solid technical skills are preferred over stuntwork, blood, and sheer shock value.

The term garbage wrestling is attributed to Japanese wrestler Giant Baba who used it originally to describe a style of wrestling which required little wrestling athletic ability and often involved no wrestling at all, which is rather common in much of hardcore wrestling. Some in the United States consider it a derogatory term. World Wrestling Entertainment and wrestling on the ECW brand.[1]

In addition to his current role, Dreamer is — arguably — best known for the time he spent in the Philadelphia based Extreme Championship Wrestling (ECW) promotion, of which he has been called the "heart and soul".[3] Though he only held the |ECW World Heavyweight Championship once in his time with the company—for a grand total of about 30 minutes[4] — he was regularly embroiled in the company's most visible angles on screen and involved in the booking, some of the business decisions, and, like a number of other ECW wrestlers, was part of the day to day operations of the company off screen  less

Classic DVLH wrestling DVD (Part 1). http://www.lukehadley.com for full DVD Luke Hadley independent underground jackass wrestling stunts.