Freds take on some jazz standards

Joseph Patrick Moores song, Bebop Charlie written for Charlie Yardbird Parker.

Featuring:
Joseph Patrick Moore - Fretless Bass Guitar
Emrah Kotan - Percussion

Video shot by:
Andrew P. Byrd & Ben Williams   more...for Full Phase Productions.

Video edited by:
Bubba Smith for Compass Productions

www.JosephPatrickMoore.com
www.myspace.com/josephpatrickmoore
www.emrahkotan.com  less

trying to dance?

Bassist, Composer, Author & Producer - Joseph Patrick Moore talking about one of his biggest musical influences, Miles Davis +.

Featuring:
Joseph Patrick Moore - Interview (2005)
Andrew P. Byrd - Questionnaire
  more...
Video shot by:
Andrew P. Byrd & Ben Williams for Full Phase Productions.

Video edited by:
Bubba Smith for Compass Productions

www.JosephPatrickMoore.com
www.myspace.com/josephpatrickmoore  less

Here's me on guitar playing my own orchestrated arrangement of the Charlie Parker "bebop" jazz tune "Yardbird Suite." Hope ya' like it...

Check Announcements For Link & Tracklist

interview with Kay Parkersome sites
<a href="http://CAPANACITY.CO.CC/">CAPANACITY</a>
<a href="http://911revolution.wq2rx.com/">911revolution</a>
<a href="http://kayparker.wq2rx.com/">kayparker</a>
  more...<a href="http://mp3.wq2rx.com/">mp3</a>
<a href="http://jodeebomb.wq2rx.com/">jodeebomb</a>
<a href="http://wq2rx.com/">wq2rx</a>
<a href="http://huddersfield.wq2rx.com/">huddersfield</a>
<a href="http://livevideo.com/spineyextra">spineyextra</a>
<a href="http://ewing2001.wq2rx.com/">911truthlings</a>  less

charlie sheen

kay parker

drives a mercedes

ever popular

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Hypreactive dog

Here's your not-so-typical Sesame Street Waiter Grover sketch involving Mr.Johnson going to Charlie's. Enjoy! Note: I wanted to use Adult Voce 1 for Mr.Johnson, but it didn't sound as funny, so I used   more...whiney Sam instead.  less

<a href="http://spiney.me.uk">WHAT HAPPENED TO SPINEY?</a>

dla Mim :) Sorrow- Flyleaf ;)

kay parker <A HREF="http://www2.retroraunch.com/ads.cfm?f=2&u=3&g=3&aid=2245"><IMG SRC="http://www2.retroraunch.com/ads.cfm?f=1&u=3&g=3"></A>

<a href=http://photo.livevideo.com/photo/aaa_439BCF0A146647D980EFBBAED2C66B60.aspx><img border=0 src=http://cdnl3.livevideo.com/image/12/330912/746574_po.gif></a>

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Charlie Chaplin

This is more of Charlie preening himself. At the end he got mad at me cause I couldn't stretch my fingers to scratch his head, but my fingers don't bend that way. Haha So he got mad at me & pecked   more...my fingers.

*No fingers were harmed in the making of this film. haha  less

kay parker

kay parker

<a href="http://kayparker.wq2rx.com/">kayparker</a>

Kay Parker was born Kay Taylor, on 28 August 1944, in Birmingham, in the United Kingdom. During the mid-1970’s she was living in   more...Southern California, attempting, and failing to break into mainstream acting. I was with a little improvisational acting group in L.A., and one of the other actors was John Leslie. We struck up a friendship, and one day he called me and asked if I wanted an opportunity to get in front of a camera and do some work. When he told me it was for an adult film, my first reaction was 'NO', but obviously I changed my mind. The title was 'V, The Hot One', in 1977. I played a Madame. It was a non-sex role. My first sex role however, was a short time later in the movie ‘Sex World’.

Kay was 33 at this point, at least ten years older than most of her contemporaries in the industry.
According to fellow actor Bill Margold, “Kay had a cloistered sex life until this business exploded on her. She, like me, has discovered the wonders of sex as a toy.”
Her mature sexuality and obvious enthusiasm in front of the camera made her an instant success with the audience. During her first on-screen sex scene with Joey Silvera in ‘Sex World’, Kay became so carried away that she chipped a tooth, something she only realized when filming ended.

Her professionalism meant that Kay was also a success with directors and producers.
Jim Holliday would later say: Kay is slick, sophisticated. Kay is our jewel. Kay is perfect in front of the television camera. Any hostile minister, anti-porn guy is going to melt. How could Jerry Falwell scream venom at Kay Parker when she's sitting there saying. My sex life was enriched by porn? One person in the cast of ‘Stairway To Paradise’ (1990) that I insisted on was Kay Parker. Even the sales people don’t realize what an impact Kay Parker is going to have.

In his analysis of the adult industry ‘Porn And Coming Attractions’, Dr Robert Stoller remarked: “She is slim, graceful, intense, wary-covered-by-willingness-to-inform, dressed tastefully in casual Southern California style English accent. Holding herself poised, with all movements self-contained. Controlling the conversation with the skill of an old hand at interviewing. She knows the value of being private.”

Over the next couple of years Kay appeared in a string of quality releases. But her crowning moment came in 1980 with the release of Kirdy Steven’s 'Taboo'. She is perfectly cast as the reserved older woman that succumbs to her own desires and sexual frustrations. Kay would later admit that there was definite mutual attraction between herself and Ranger, and that their sex scenes would often continue once the cameras had stopped. The film is well made with high production values, and is today regarded as one of the best adult movies ever made. Its success inevitably meant that sequels were to follow, and Kay reprised her role in ‘Taboo 2’ (1983) and ‘Taboo 3’ (1984).

Porn actor Jerry Butler later recalled working with her in ‘Taboo 3’. She is very generous, articulate and polite I only worked with Kay that one time in ‘Taboo 3’. Despite my misgivings, we had a hot scene. I wound up tossing this replica of my sister all over the bed.

Apart from her role in the ‘Taboo’ films, she was also cast as ‘The older woman’ in other classics of the time. Such as ‘Downstairs Upstairs’ (1980), ‘Vista Valley PTA’ (1981), ‘Memphis Cathouse Blues’ (1982) and ‘Private Teacher’ (1983). According to Kay, during that time period there was more of an effort to give the films a degree of production value. In 1983 she received the Adult Film Association Award for Best Supporting Actress for her role in ‘Sweet Young Foxes’ (1983). By the mid-1980’s, however, the advent of video meant that standards within the industry were falling. Although she continued to appear in the odd film, mediocre affairs like ‘Too Hot To Touch’ (1984) did little to add to her reputation. In late 1984 she retired fro  less