My solo acoustic cover of their biggest hit.

Buffalo Springfield - Mr Soul

Love this song and the story behind it. The way I read it Young taught it to Furay when they first met in the early 60s. Then Furay taught it to Stills in New York. Then they went looking for Young in   more...Toronto but couldn't find him. In 1966 Young and Palmer were driving a black hearse with ontario plates in Los Angeles looking for Stills and were leaving town when they were spotted by Stills and Furay in a Hollywood traffic jam. They were going in opposite directions and Stills and Furay honked and yelled until Young noticed and turned around to meet up. And the rest is rock  less

My cover of this great song with guitar and vocal harmony overdubs to fill it out.

This great song has a lot of relevance in our day of age despite the difference and distance of time.

For What It's Worth - Buffalo Springfield

This is a collaboration with Sonya and Shuie (a UK based duo) and I must say I am blown away by what they did to my solo acoustic cover. They did a beautiful job on this!

I sent them my raw microphone   more...recording and they upholstered it with their Buffalo magic as follows:

Sonya did the 'morse' electric dub on her Les Paul copy, the handclaps and the high harmony.

Shuie played the Fenderbass, lead guitar and sang low harmony. He also put an extra high harmony on the final chorus.

Thank You to my friends Sonya and Shuie! You guys are awesome! See more of thier great work at:

http://www.youtube.com/misspopanoche  less

A fairly obscure song that Neil Young wrote and Richie Furay sang on the record.

This started out as a solo acoustic cover then I decided to overdub one vocal harmony. At one time I overdubbed some acoustic riffs in the background but never fel that sounded right. So this time I employed   more...my Gretsch 6120 plugged straight into the computer and I use the Bigsby tailpiece to get the vibrato.  less

This is a song I wrote in 1977 about an older me reflecting back on my youth and the good times we had centered around the music we listened to back then.

I'd like to dedicate this one to my two closest   more...bros in the world, my cousin Gartel and our mutual best friend Carmando. We all grew up together and misspent our wonderful youth. Laughing, loving, partying and having lots of fun. Carmando and I would jam on guitars a lot back then.

The photo is of me and Carmando circa 1976 (I think) and I remeber that we were sitting on a park bench with the Neil Young Zuma songbook learning those songs together. Come to think of it this song is really my tribute to those great songs of Neil Young. When I wrote this song I had been a Neil Young fan for only 3 years and I had no idea that his songs would still be a very important part of my life in music.

While the music style of this song is very Neil Young and reminiscent of the 70's I think the sentiment is timeless.  less

Just an experimental video! It has problems, but it is just an experiment. I started this video with something WAY different in mind. This is what just happened along. I am learning that camera angles   more...are VERY important! Now if I can only remember what I learned from this video for the next one!

I hope you enjoy watching and I thank you for letting me waste your time once again. :-)  less

me playing and sing something happening here by buffalo springfield

Harris, Smith and Workman, Rob Smith singing the Buffalo Springfield classic "For What It's Worth" (Stephen Stills), at Rob Roy's, Smiths Falls, Ontario. Feb. 2, 2007

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heres a real old one sung by steven stills of the famed supergroup buffalo springfield

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Buffalo Springfield Neil Young - Steven Stills - Jim Messina - Palmer - Crosby - Graham Nash (1967) For What it's Worth - Live

My solo acoustic cover based on the live Unplugged version

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