Acid Party - As seen on Polish TV.

ACID

Threading needles and judging people by how they appear.

I slowed down the intro two times, so It's gonna be longer and funnier than the normal one as you might think! Enjoy!

Apologies to Nintendo and Hudson Soft

Another note: All Copyrights are acknowledged.
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Even Another note: DO NOT give this a "Thumbs Down" voting!  less

I Love ACID

Late 80's track, I wish i could give you a story about my rave days, well I will add these to my info page ))))))

funny commercial

kevin, chris, kimmy, ella, lynn, sam, and the weird british girl alice are all hanging out at kevin's hizzouse and decided to make a random video. tah duh!

just a trippy video

The bath

War and music

Just sound and dreams

Just to remember

Just like the Simpsons' crazy cat lady, but crazier.

160 bpm Acid

120bpm Acid

Yes, I found some more episodes and made another video with actual video footage. GO ME!! ^_^ I really like the way it turned out.

Song: Acid 8000

Artist: Fatboy Slim

Anime: Naruto

I DO NOT OWN ANYTHING   more...IN THIS MOVIE.  less

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09:37
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with 303 subs - it is the right time to post this doc - will be of interest to any musicians - I used mine as an ashtray.....eventually sold it for £15 durrrrrr

Probably THE defining trademark sound   more...of 'Aceeeed', the TB303 became a highly sought after icon in certain dance music genres. But it didn't start off like that!

It was originally intended as a perfectly synchronised bass accompaniment to the (identically styled) TR606 drum machine. Roland's idea was to provide the solo guitarist with a compact and portable rhythm and bass backing.

How wrong could they have been?

With all due respect to guitarists of the time, most of them weren't up to the programming complexities of a drum machine AND a quirky bass synth/sequencer. As a result, many that were bought quickly ended up in second hand stores. It was impoverished 'electro-wannabees' that elevated the TB303 to the status it now enjoys.

Strapped for cash, these aspiring musos were after anything that made a sound and they found it in the used TB303s that were going for silly money in second-hand stores... so they bought them - what originally sold new for $200 was now on the streets for $25 or less. They took these machines (no doubt blissfully unaware of the manufacturer's original intentions) and used (and abused) them to create a whole new musical style. Suddenly, the music of the late '80s and the '90s was alive with squealing TB303s underpinning the dance music of the time.

Surprisingly, the TB303 was not some short-lived gimmick as is so often the case. In fact, it grew and grew in popularity to the point where, once again, the TB303 was selling second-hand for silly prices - this time, however, upwards of $1,500!! For the same kind of money, you could have bought yourself a decent workstation at the time but instead, people were spending it on a simple 1-oscillator monosynth! Madness!

In an attempt to make the sound more affordable, there were several TB303 clones made that emulated the synth section exactly - there was also Propellerhead's excellent ReBirth software clone that provided not only two TB303s but also an emulated TR808 and TR909 which all worked in perfect sync and which could be synced up to software sequencers (ReBirth is still available at the Propellerheads website). But, despite these products, the actual TB303 still continued to command high prices.

So what was it about the TB303 that made it so popular?

First and foremost, fashion - it was such a prominent component of the emerging and evolving dance music genres of the time that anyone who wanted to get into that style of music just had to have one. The synth section of the TB303 itself was totally unremarkable - a single oscillator with square or sawtooth waves, a very simple 18dB/Octave, resonant filter and a single AR envelope which were set using the row of six small knobs across the top of the unit! But whilst the 303 was obviously limited in the sounds it could make, it was maybe the simplicity of the thing that appealled to novices in this emerging, electronic musical style plus, of course, those knobs made it easy to manipulate the sound in real-time.

But as well as the sound of the instrument and its real-time tweakability, what probably defined the TB303 more than anything was its sequencer.

It was possible to program patterns using the small on-board mini-keyboard and these patterns could be chained together exactly like a drum machine to create more sophisticated songs (although it must be said that the typical use of the 303 in dance music was to have one sequence pounding away relentlessly for the duration of the 'song'). However, despite the one octave limitation of the 'keyboard' itself, transpose keys allowed you to program sequences that spanned several octaves and, despite its name, the TB303 could do much more than just basslines. It was also possible to program in accents which opened the filter for some dramatic tonal punctuation. It was al  less

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QOTSA - Battery Acid Spot