Of course he says he will make sure everyone is treated equally...
YEAH RIGHT!!! Does this look equal to you???
Mayor Jerry Sanders spoke to Barrio Logan to make sure everyone understood how important   more...the community was to him and that he would make sure everyone is treated equally and fairly...well, why is it that I was always treated as a second class citizen?
More info here...
http://truthbrigadelovesronpaul.blogspot.com/2008/05/to-city-of-san-diego.html
and here...
http://truthbrigade.org/smf/index.php?topic=15.msg17#msg17

Let us not forget that he is married to the Bronfman crime family via the ADL who he gave the power to train the local law enforcement who the terrorists are...so now you know why when there are 500 aztlan reconquistas and only me, they are so concerned with the 6 foot blonde.
Welcome to the new ameriKa!
We are the terrorists thanks to our law enforcement, or lack thereof and our elected public servants...
Is there something wrong with this picture or am I just a blonde...?

WAKE UP AMERICA!!! TIME TO STAND UP AND TAKE OUR COUNTRY BACK!!!

TruthBrigadeRadio.Com  less

This is a video about the trouble I went through only for trying to report a crime...silly me didn't know that the so called law enforcers were the people actually committing the crimes I was reporting!

Celeste is a mole for the fbi and part of an organized stalking group associated with Jeff Schwilk and Jim Stachowaik. She needed a place to live so I tried to help her out despite her delusional diagnosis   more...and sordid past as a prostitute and human smuggler.  less

The Commies are Coming, the Commies are Coming (1962) (also known as Red Nightmare and Freedom and You) is a Cold War-era drama, short subject film, starring Jack Kelly, and Jeanne Cooper. The film is   more...a grim reminder to Americans not to take their freedom for granted. It was directed by George Waggner. The film was among those films released at the height of the Cold War, including On the Beach (1959), Atomic War Bride (1960), and Panic in Year Zero (1962).

A man takes his American freedoms for granted, until he wakes up one morning to find out that the United States government has been replaced with a Communist system. (Fortunately he is only dreaming.) The basis for this short film, narrated by Jack Webb, is the alleged Soviet recreation of US communities for the purpose of training infiltrators, spies, and moles.

The production of the film is quite similar to episodes of The Twilight Zone which was a popular television series at that time (1962). It was made by Warner Brothers under the auspices of the Department of Defense "Directorate of Armed Forces Information and Education" (commonly referred to as 'Army Training Films').
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Anti-communist PROPAGANDA; ostensibly patriotic film which shows us the capitalist good guys and the socialists who wish to enslave us all. [This is one of a series of films produced by the Extension   more...Department of Harding College to create a deeper understanding of what has made America the finest place in the world to live.] Harding College presents Make Mine Freedom, color by Technicolor. A John Sutherland film

The end of World War II did not bring peace at home. Nuclear anxiety, anti-Communism and international political realignments fueled the Cold War and turned our country's media landscape into a battleground. In the press, on the radio, and increasingly through the newly emerging medium of television, business and labor struggled for power over the national consciousness. Seeking a prize worth much more than public consent, these opposing forces fought to redefine the economic structure of the nation.
To most working people, postwar "normalcy" meant a final farewell to Depression-induced privation, access to consumer goods unavailable during the war years, and a redistribution of the economic pie through the newly powerful labor movement. To business, however, the end of hostilities promised freedom from New Deal liberalism. Corporations sought an end to planning and government influence, to communist, socialist and labor movements, and above all, shrinkage of the public sector, swollen in sixteen years of economic depression and war. Both sides characterized their points of view as patriotic and their opponents as un-American.
Business fought for influence through organizations like the U.S. Chamber of Commerce and the National Association of Manufacturers. Their intentions were presented as lofty and neutral: to educate Americans about our economic system and its benefits. Launching a giant propaganda offensive, these organizations pumped out press releases, published books, organized public and private meetings, bought advertising (for examples, see "The Pursuit of Profit" and "Freedom of Choice") and produced motion pictures.
One institution most anxious to spread the news about capitalism was the Alfred P. Sloan Foundation, founded by the former chairman of General Motors. The Sloan Foundation funded a small institution (the pro-free enterprise, staunchly anti-Communist Harding College in Searcy, Arkansas, which hired John Sutherland Productions, Inc. as producer) to produce a series of nine "short cartoon films, in color, which would portray simple economic truths about the American system of production and distribution in an interesting and entertaining manner." A series of grants totaling $597,870 was made to Harding College, $150,000 of this contributed by the Maurice and Laura Falk Foundation of Pittsburgh. The films were intended both for showing in theaters, schools, at community group meetings and in workplaces, often at lunchtime screenings in factories. Ironically, this effort was made feasible by a Federal government initiative: the distribution of war surplus 16mm projectors to educational and nonprofit organizations.
There was nothing new about the idea of reaching working people on the job. As an idea, "luncheon movies" date back to the 'teens, when John Patterson of National Cash Register in Dayton, Ohio pursued what were then advanced media forms to reach NCR employees with messages of inspiration, training and control. During the Depression, companies undergoing union organizing campaigns took every opportunity to reach their workers with anti-union messages, morning, noon and night. As Business Screen (Vol. 10, No. 1, 1949) said, "During the war, 62% of large U.S. employers made use of incentive or employee attitude motion pictures. Today, that figure has dropped to 35%. Isn't it reasonable to believe that a mass return to employee film programs would help pave the way for smoother labor-management relations? And at 50c a year per employee, or even two or three dollars, wouldn't it be   less